1949年,海峡两岸隔绝。长期以来流传于闽南、台湾两地的歌仔戏,从此各自封闭发展。五十年代开始,闽南的歌仔戏进行了一系列的改革,从而在戏曲界奠定了独立剧种的地位。也许是巧合,台湾当局也在这一时期对歌仔戏进行“改良”,海峡两岸同根同源的歌仔戏因此走上了不同的发展道路。本文试图从这段特殊时期的戏曲改革(改良)过程中,比较改革(改良)给歌仔戏带来的不同影响,以期对今后歌仔戏的进一步发展有所启迪。 In 1949, the two sides of the Strait were isolated. For a long time, it has spread to Taiwanese opera in Taiwanese and Taiwanese areas, and has since closed its doors. Beginning in the 1950s, a series of reforms were carried out in Taiwanese opera in southern Fujian, thus establishing an independent drama in the opera field. Perhaps by coincidence, the Taiwan authorities also carried out “improvement” on Taiwanese opera during this period. Therefore, the same origin of Taiwanese opera on both sides of the Taiwan Straits embarked on a different path of development. This article attempts to compare the different influences brought about by the reform (improvement) to Taiwanese opera in this special period of drama reform (reform) so as to give some inspiration to the further development of Taiwanese opera in the future.