长期以来,人们对嵇康的音乐美学思想一直众说纷纭,有些学者认为应归入儒家思想,有的则认为应归入道家思想,也有学者认为亦儒亦道。笔者通过深读嵇康的《声无哀乐论》和其相关著作,认为,在他的著作中,有道家思想的理念,同时也具有儒家思想的成分,但和两者又不尽相同,暂可认为,是道家、儒家思想从相互对立到转而结合的一个新起点。 For a long period of time, people have always divided opinions on Ji Kang’s music aesthetics thought, some scholars think it should be classified as Confucianism, while others think it should be classified as Taoism, and some scholars think Confucianism and Taoism too. Through deep reading Ji Kang’s “sound without grief” and its related works, the author believes that in his writings, there are Taoist ideas, but also has the elements of Confucianism, but both are not the same, temporarily It can be considered as a new starting point for the combination of Taoism and Confucianism from turning against each other.