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上例是四句组成的乐段,变奏手法仍产生在句式结构间,即后两句音乐是前两句的变化重复,从上列两个例子可以发现,变奏写作的原则基本上有两点:①根据不同歌词的音韵和句逗来变化;②遵循音乐不断发展的要求来处理。读者如在琴上弹奏此曲时,第三、四句如照原样重复一、二句,就会感到唱起歌词不大顺口,歌曲的情趣就不大够味了。至于采用什么手法来推动乐意不断发展,在这两段音乐中有这些因素:段落中的长音压缩了;旋律上加了花;强调了高音的应用、这些手法都是比较典型的。
The above example is composed of four sections, variations still occur in the sentence structure, that is the last two sentences of music is the first two repetitions of changes, from the above two examples can be found, the principle of variation basically there are two Point: ① according to different lyrics of the rhyme and sentence to change; ② follow the continuous development of music to deal with. If the reader plays the song on the piano, the third and fourth sentences repeat one or two sentences as they are, and you will feel the lyrics are not easy to sing. The taste of the song is not very good enough. As for what tactics are used to promote the willingness to keep growing, there are these two pieces of music: the long-sounding passages in the passage are compressed; the melodic flowers are added; the emphasis is on the use of high-pitched music, all of which are typical.