“写意”一词在中国艺术中使用得比较普遍,甚至是混乱。谈到写意艺术,人们总习惯于把随意、率性、粗放、简约等艺术形象联系在一起,或者把写意当作和工细一路相对的艺术来看待。单从表现技巧上看,这本无可厚非,写意艺术确实具有简略、随性、粗率的特征,确也与工细艺术大相径庭,然而这仅是从艺术表层的技法层面来看待,并未真正理解写意艺术的内涵,这种肤浅的认识在艺术领域是普遍存在的。刘曦 “Freehand ” is used more commonly in Chinese art, even chaos. When it comes to freehand art, people are always accustomed to associating artistic images of randomness, quickness, extensiveness, simplicity, or the like, or treating artistry as the opposite of artifice. From the performance skill point of view, this no-strange, freehand art does have the characteristics of simplicity, casualness and boldness. It is indeed quite different from the fine art. However, this is only viewed from the technical level of the art surface, without really understanding the freehand art Of the connotation, this superficial understanding in the field of art is ubiquitous. Liu Xi