张曼君早已是硕果累累的女导演。在不久前的优秀剧目大展演中,相继看到她执导的五个地方剧种剧目。不仅数量可观,而且质量优异,真称得上蔚为壮观。这些戏都有较强的人文内涵,鲜明的地方和剧种特色,又有许多与传统相结合的、对戏曲来说属于新的范畴的戏剧手法的运用。这些戏可以统称为新戏曲,这既是张曼君导演艺术的成就和艺术个性的体现,也是她对戏曲发展作出的不可低估的贡献。张曼君较早受到关注是作为优秀的采茶戏演员而获得梅花奖。此后她又演又导,慢慢过渡为全职导演,几年前她又从戏曲艺术界跨行到歌剧界,并担任天津歌舞剧院副院长。 Zhang Manjun has long been a fruitful female director. Not long ago in the outstanding repertory show, have seen her directed five local drama repertoire. Not only a considerable number, but also excellent quality, really worthy of spectacular. These plays have strong humanistic connotations, distinctive local and dramatic features, and many are combined with traditions to apply the theatrical techniques that belong to the new category of drama. These plays can be collectively referred to as new drama. This is not only the achievement of Zhang Manjun’s directorial art and the embodiment of artistic personality, but also her contribution to the development of Chinese opera. Earlier, Zhang Manjun received the Plum Blossom Prize as an outstanding tea-tea-actress. Since then she has performed and directed a gradual transition to full-time director. A few years ago, she also interned from the art of opera to the opera industry and served as the vice president of Tianjin Song and Dance Theater.