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《北平无战事》中对地下领导人从个体、家庭、组织等角度进行刻画,并娴熟运用犯中求避的艺术手法成功塑造了地下党领导人的群体形象,个性鲜明,详略有致。犯中求避的成功运用,是电视剧在创作上对传统艺术手法的借鉴,既是电视剧的艺术创作手法的发展,也为其他电视剧的艺术创作提供了启示。
The “No-Fight in Peking” portrays the underground leaders’ personal, family and organization perspectives and skillfully uses the art of crime avoidance to successfully create the group image of the underground party leaders. The successful application of the crime avoidance is a reference for traditional dramas in the creation of dramas. It is not only the development of artistic drafting techniques of dramas, but also enlightening the artistic creation of other dramas.