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纯律理论与大三和弦原理来自音响的自然法则——振动体分段振动与其所产生之“泛音列”。十六世纪意大利音乐理论家差里诺与近世二元论和声论者,把小三和弦的音响原理归之于“沉音列”(见缪天瑞《律学》增订版162页)。但对沉音列只是一种“臆测”或“假设”,直至今日,沉音列似还未被人们注意、开发,当然其科学性及其对音乐法则的价值还不被中外音乐学家所重视。笔者在前年(1984)11月由中国音协、中国音乐研究所举办的“全国第一次律学学术会议”与会期间,研究琴弦泛音位置之按音与泛音的音程关系时,发现沉音列存在的客观性和规律性,
Pure Theory and the Principle of the Third Piece The Natural Law Originated from Acoustics - Segment Vibration of Vibrating Body and Its Generated “Phonetic Column”. In the 16th century Italian music theorist, Roberto Renorino and the modern dualist hazer, attributed the sound principle of the minor three chord to “Shenyin column” (see Miao Tianrui, Laws, revised edition, p. 162). However, it is only a kind of “speculation” or “hypothesis” to Shen sound columns. Up to now, Shen Yin columns have not been noticed and developed by people. Of course, their scientific nature and their value to music laws have not been recognized by Chinese and foreign musicologists Pay attention. In the previous year (1984) November by the China Society of Music, China Music Research Institute held the “first national conference of law scholarship” during the meeting to study the position of the overtone piano position and the overtone sound pitch relationship, found Shen sound The existence of objectivity and regularity,