中国花鸟画创作自从有了“黄筌富贵、徐熙野逸”的艺术风格和脉派传系以来,历代得以不断发展。黄筌画花鸟先以墨笔勾勒,后敷以彩色,浓丽精工,世称“双勾法”。徐熙擅写生,以落墨写其枝、叶、蕊、萼,然后敷色,创水墨淡彩法。徐熙之孙,北宋徐崇嗣初承家学,后不断革新,创造出直接运用彩色晕染,“其画皆无笔墨,唯用五彩布成”的“叠色渍染”的“没骨法”。至清初六大家中唯一从事花卉创作的恽寿平,则发展了这一方法,融入写生,而树立“写生花卉”新格,从此改变了以往陈陈相因的画 Since the creation of Chinese flower painting and calligraphy since the art style and pulse of the “Huang Xun Fu Gui, Xu Xi Ye Yi” has passed, successive generations have been continuously developed. Huangpi painted birds and flowers to sketch first, after the deposited to color, thick Seiko, the world said “double hook method ”. Xixi good sketching, ink to write its branches, leaves, Rui, calyx, and then color, create ink color method. Xu Xisi grandson, Northern Song Xu Chongsi early Cheng Jiaxue, after continuous innovation, creating a direct use of color blooming, “the painting is not ink, only with colorful cloth into ” “stained stain dyeing ” No bone method “. By the beginning of the Qing dynasty, the only one among the six families engaged in flower creation was Shou Shou-ping, who developed this method and integrated sketching into a new form of ”flower sketching", thus changing his previous painting