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“兴”是中国古典诗学理论中的核心概念,也是争议最多,最为缠夹不清的问题之一。《文心雕龙》作为一部“体大而虑周”的文论著作,对“兴”的问题亦十分关注,并专作《比兴》一篇进行论述。中国古典诗学理论中对“兴”的意义阐释,体现了一个动态发展的历史进程。在《文心雕龙》中,我们可以明显看到诗教与审美两条解“兴”线索的交错与碰撞。刘勰通过对传统诗学概念“兴”的内涵进行巧妙置换,提出了“睹物兴情”的作用机制,推动了从汉代诗教解“兴”向魏晋以来文学解“兴”的审美转化。
“Xing ” is the core concept in Chinese classical poetics theory, and it is also one of the most controversial and most complicated issues. Wen Xin Diao Long is also a literary work on “Considering Zhou,” and is also concerned about the issue of “Xing” and his article “Bi Xing”. The interpretation of “Xing” in Chinese classical poetics theory embodies a historical process of dynamic development. In “Wen Xin Diao Long”, we can obviously see the interlacement and collision between the two solutions of “Poems and Aesthetics”. Through the exquisite replacement of the connotation of “Xing” in the traditional poetics, Liu Xie proposed the mechanism of “seeing the things in the world” and promoted the literary interpretation since the Wei and Jin Dynasties “Xing ” aesthetic transformation.