里夏德·施特劳斯的《降E大调小提琴与钢琴奏鸣曲》Op.18创作于作曲家的青年时期,也是其室内乐作品的收官之作,在他的创作生涯中有着承上启下的意义。作曲家在作品中对传统古典奏鸣曲组织形式进行了诸多创新和探索,各乐章的主题充满戏剧性对比和张力,气魄宏大;演奏技术复杂全面,需要演奏者具有丰富的想象力和表现力,并能从室内乐的合作角度出发,掌握好声部平衡,将多变的织体节奏与交响化的音响效果展示出来。 In the youth of the composer, Reichard Strauss’s “Sonata of the Violin and Piano in the E Major” Op.18 is also the culmination of his chamber music works, and has a bearing on his creative career significance. In the works, the composer made many innovations and explorations on the traditional forms of classical sonatas. The theme of each movement is full of dramatic contrast and tension. The performance technique is complex and comprehensive, requiring the players to have rich imagination and expressiveness. From the perspective of chamber music cooperation, master the sound balance, the changing fabric rhythms and symphonic sound effects show.