今年五月,上海京剧院李玉茹领衔,在黄浦区文化馆演出,演员还有艾世菊、纪玉良、孙鹏志、童寿苓、朱文虎等,他们以前座三角、后座二角的低票价,吸引了一大批青年。近千张戏票一抢而空。那天剧场气氛如同炸寓一般,青年观众掌声尤其响亮、持久。坐在我身旁几位佩“第二医学院”校徽的同学,还一个劲地学着老观众的样子喊道:“唷!好——”在他们言谈里,大有与京剧艺术“相见恨晚”之意。京剧就其艺术本身而言,不存在“青年人不爱看”的问题,问题在于肯不肯、能不能采取种种办法把它 In May of this year, Li Yu-ru, head of the Shanghai Peking Opera Theater, performed at the Cultural Center of Huangpu District. There are also actors such as Ai Shiju, Ji Yuliang, Sun Pengzhi, Tong Shoueling and Zhu Wenhu. Their low fares in the former Triangle and the second seat in the rear attracted a A large number of young people. Nearly a thousand tickets a robbery empty. The atmosphere of the theater that day was like an ordinary house, especially for young audiences. Sitting next to me, some of the students who wear the school badge of “Second Medical College” still kept learning the old audience’s appearance and shouted: “Good! -” In their words, there is a great deal with Peking Opera Hate late “meaning. Peking Opera does not have the problem of ”young people do not like to see" in terms of art itself. The problem is that it is not willing to accept it.