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赣州通天岩是典型的佛教造像石窟,始开凿于唐代末年。现存造像共计359尊,是我国最南端的石窟艺术群。佛教造像艺术从传入到发展,融合了华夏民族的文化内涵以及当地的审美理念,形成具有民族特色的艺术风貌。本文以研究通天岩石窟为例,探讨佛教造像在不同历史时期的艺术特色。
Ganzhou Tongtianyan is a typical Buddhist statues grottoes, began to cut in the late Tang Dynasty. The existing statues total 359, is the most southern of China’s grotto art group. Buddhism statues from the introduction of the development of the arts, blending the cultural connotation of the Chinese nation and the local aesthetic ideas, the formation of the artistic characteristics of ethnic characteristics. This article takes the study of Tongtian rock caves as an example to discuss the artistic features of Buddhist statues in different historical periods.