北宋中期之前的山水画大多是全景式的大山大水,以“高远”、“深远”法居多缘由:由于政治文化中心居北,从绘画的审美主体还是客体上来说“高远”法占据北宋中期山水画坛主流有着历史的和地域的必然性;唐、宋中期前的积极进取,志当高远时代美学思潮也促使山水画选择“高远”、“深远”的形式。 Before the middle of the Northern Song Dynasty landscape paintings are mostly panoramic mountain water to “lofty ”, “far” “Fa Ju and many more reasons: As the political and cultural center in North, from the aesthetic or painting object ” lofty “Law occupy the mid-Northern Song Dynasty landscape painting mainstream has a historic and geographical necessity; Tang Dynasty, before the mid-Song forging ahead, aesthetic trend of lofty era also prompted landscape painting choose ” lofty “, ” far "form.