周济是常州词派中论及音律的第一人。周济的音律论主要体现在《词调选集》及《宋四家词选目录序论》中 ,周济从三个方面 ,分别从词的押韵特色、四声、句式及相关的“领字”、“积字”、“换头、煞尾”等角度 ,论述了词的音韵问题。审音度声 ,讲求表现技巧 ;强调词调与作品中表达的情感相联系 ;关注读者的接受情况 ,以“须令读者耳目振动”为佳制──这正是周济音律论的特色。就技巧而言 ,周济所论多是对前人理论的承继或发挥 ,但后二者 ,则是周济的新创获 Zhou Ji is the first person to talk about temperament in Changzhou Ci School. Zhou Ji’s theory of temperament is mainly reflected in the anthology of the anthology of the tone of the word and the preface of the catalog of the four poems of the Song Dynasty. From three aspects, Zhou Ji analyzes the rhyming features, the four tones, the sentence patterns and the related “leading characters” “Plot word”, “change head, evil tail” point of view, discusses the phonetic problem of the word. Cacophony, emphasizing performance skills, emphasizing the relationship between the tone and the emotion expressed in the works, and paying attention to the readers ’acceptance so as to make the readers’ eyes and ears vibrate. This is precisely the characteristic of Zhouji’s musical theory. In terms of skills, Zhou Ji mostly focuses on the inheritance or play of the theories of his predecessors, but the latter two are the new ideas of Zhou Ji