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硬性恐怖电影指的是镜头上大量使用血腥场景,通过过度表现死亡事件来直接刺激观众生理反应的一类恐怖电影类别的总称。《死神来了》是黄毅瑜导演的著名系列恐怖电影,2000年第一部上映至今已经有5部之多,该电影讲述的是故事主人公预见了人的死亡后尽管极力的阻止但仍旧无法阻止“死亡定律”的故事。这部系列电影有着统一的叙事模式和节奏模式。本文试图通过分析这一经典恐怖电影系列的节奏模式,总结此类恐怖电影的节奏框架,为恐怖电影的理论研究贡献绵薄之力。
Hard-horror movies refer to the general term for a category of horror movies that use extensive bloody scenes on shots and directly stimulate the physiological responses of spectators by over-performing death events. “Death Comes” is a well-known series of horror films directed by Huang Yi-yu. Since the release of the first film in 2000 there have been as many as 5, the movie tells the story of the protagonist, despite the foregone conclusion of human death, but still can not stop “The Law of Death” story. This series of movies has a unified narrative mode and rhythmic mode. This article attempts to analyze the rhythm pattern of this classic horror film series, summarizes the rhythm frame of such horror films, and contributes to the theoretical research of horror movies.