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苏轼在中国绘画史上最早提出了“士人画”即文人画的概念,运用水墨画法,讲究神韵,重在表达创作者的个人心境,抒发真性情,体现文人士大夫的审美情趣。本文通过分析苏轼文人画的审美特征,梳理中国文人画的审美情趣和哲学思想,以期使人们更清晰的看到文学素养对绘画的提升和影响,为文人画创作者在审美方面提供一些有益的参考。
In the history of Chinese painting, Su Shi first proposed the concept of “Scholar Painting”, that is, Scholar Painting, using the method of ink painting to pay attention to the charm, focusing on expressing the creators’ personal mood, expressing true feelings and reflecting the aesthetic taste of literati and doctor. By analyzing the aesthetic characteristics of the literati painting of the Soviet Union and combing the aesthetic taste and philosophical thinking of the Chinese literati painting in order to make people see the improvement and influence of the literary accomplishment on the painting more clearly and provide some useful aesthetic aspects for the literati painting creators, reference.