“于新城、长水之后别续一灯”是对厉鹗诗学地位的重要评价。然而结合整个诗坛环境的影响,可以发现厉鹗并未完全脱离与新城、长水的联系。厉鹗的诗歌理论在某些程度上与王渔洋“神韵”说有契合之处,他尤其以自己“尚清”的创作实践为“神韵”诗风披上了一层“寒者之衣”。对于朱彝尊,厉鹗更直接从醇雅与博学两方面进行学习。这是其“别续一灯”的准确内涵。对不同诗学观变相继承的态度,是厉鹗诗歌自名一家的关键,也展现出清代诗史发展的连贯性。 “In the new town, do not follow a long light after the light ” is an important evaluation of Li Zhi’s poetic status. However, with the impact of the entire poetic milieus, we can see that Li Li did not completely break away from the connection with the New City and the Long Water. Li Li’s poetic theory is somewhat in agreement with Wang Yuyang’s “Shen Yun”, especially in his “Shang Qing” creative practice as “Shen Yun” poetic style “ Cold clothing ”. For Zhu Yizun, Li Li is more directly learned from both alcoholic and erudite. This is its exact meaning of “Do not continue a lamp”. The attitude toward the change of different views on poetics is the key to Li You’s poem’s own name and also demonstrates the continuity of the development of the history of poetry in the Qing Dynasty.