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吉雅·坎切利在美国首演的第一部作品是其创作于1975年的《第四交响曲——纪念米开朗基罗》。这部作品体现出作曲家强烈的个性化创作,尤其是深刻的象征意义而获得广泛认可。本文剖析这部作品简洁清晰的主题材料、核心音程材料的使用、中心音的主导地位、乐队编制的个性化、作品的结构段落性设计。通过分析把握坎切利对于各主题象征含义的指向性,了解坎切利结构作品的依据,挖掘作品背后隐含的哲学意义。
The first piece by Jiya Cantachelli premiered in the United States is “The Fourth Symphony - Commemorative Michelangelo”, which was created in 1975. This work embodies the strong personalization of the composer, especially the profound symbolic meaning which is widely recognized. This article analyzes the concise and clear thematic materials, the use of the core track material, the dominance of the center tone, the individuality of band compilation, and the structural paragraph design of the work. By analyzing the direction of Candace’s symbolic meanings on the various topics, we can understand the basis of the works of Cantache and find the implied philosophical meanings behind the works.