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20世纪80年代中后期以来,对历史的重新书写构成了中国当代文学史重要的文学景观。一直以来,学界对其研究却有“性别视野”不被问津、相关问题被悬搁的缺失。本文在对“性别视野”及其相关概念进行清理、辨析的基础上,从“母系”家族史、女性情感史、女性历史人物传记史三个方面,对浮出历史地表的女性历史言说进行一次“超性别”的解读,认为性别视野下的新题材历史小说,两性共存,既有联系又有不同,是彼此参照、相互辉映的历史合唱。
Since the late 1980s, the rewriting of history has constituted an important literary landscape in the history of contemporary Chinese literature. For a long time, academics did not find their “gender perspective” in their studies, and their problems were suspended. Based on the cleanup and discrimination of “gender perspective” and its related concepts, this essay probes into the historical background of women from three aspects of family history of maternal family, female emotional history and female historical figures Historical speech to conduct a “super sex ” interpretation, that the new theme under the gender perspective of historical novels, coexistence of both sexes, both connected and different, is a reference to each other, reflect each other’s historical chorus.