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郑允钦感到“童话,是童心中流出的清泉,它是最纯净最美丽的”。所以,他把创作的主要方向锁定在儿童文学。他用笔书写他理想中的童话,也在童话中寄予他的理想。他认为“童话艺术必须根植于儿童的心理情感底层,必须是儿童天性的显现。他注重作品蕴含的思想性和教育功能,同时又将思想性和教育性艺术化地含藏在生动形象的故事中,他的童话作品文化蕴含深厚。纵观他的全部创作不难发现,以想象的羽翼折射现实的光影是郑允钦始终如一的艺术追求和最为突出的艺术特色。
Zheng Yunqin felt ”fairy tale, is innocence flowing springs, it is the most pure and most beautiful “. Therefore, he locked the main direction of creation in children’s literature. He used his pen to write down his ideal fairy tale, and also set his ideal in fairy tales. He believes that ”fairy tale art must be rooted in the bottom of children’s psychological emotions, must be the manifestation of children’s nature .He pay attention to the ideological and educational functions contained in the work, at the same time the ideological and educational art in the vivid hidden in the story , His fairy tale works culture is deep.It is not difficult to find out all his creations, and to reflect the realistic light and shadow with imagined wings is Zheng Yunqin’s consistent artistic pursuit and the most prominent artistic feature.