一在中国,摄影师的地位本来不高,且每况愈下。《电影艺术》同仁一直确认摄影是电影艺术大家族中的重要成员,故在研究电影第四代时,也不忽视作为这一代的摄影,令人感佩。编辑部令我写点东西,盛情难却。然而,笔者学识疏浅,掌握材料甚微,论述中难免以偏概全,挂一漏万。好则,这只是刚刚开始,我的疏漏,在将后的深入讨论中,定会得到匡正。第四代摄影的本来面目,它的应有历史地位定会确立起来。 In China, the status of the photographer was not high and deteriorating. “Movie Art” colleagues have always confirmed that photography is an important member of the cinema family. Therefore, when studying the fourth generation of the film, they did not neglect to be admired as this generation’s photography. The editorial department made me write something, passionate but difficult. However, I learned shallow, little material control, the argument inevitably partial, hang on. Well, this is just the beginning, my omission, will be corrected later in the discussion. The fourth generation of the true nature of photography, its due historicity will be established.