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中国传统影视剧中的“才子佳人情结”从一个侧面反映了文人墨客自省精神的匮乏,也在一定程度上体征了中国为何未能产生有世界性影响的、震撼人心的爱情影视佳剧。概因中国文人始终站在满足自己欲望的审美基点,所关注的又几乎永远是自己,所以眼界不开阔,思考也不深邃。如何解决这一问题不但关系到中国影视剧坛的发展前景,也关系到文人的人格魅力的建构。如果不具备正常的审美心态,中国文人将无法走出自我的狭窄圈子,也不可能使中国的爱情影视剧焕发出自然生命的艺术魅力。
The “complex of genius and beauty” in traditional Chinese film and television plays reflects the lack of self-examination of literati and painters from one aspect and also reflects to some extent why China did not have a world-wide impact. . For the reason that the Chinese literati always stand on the aesthetic point to satisfy their own desires, they are almost always concerned with themselves, so their horizon is not wide and their thinking is not profound. How to solve this problem is not only related to the development prospect of Chinese film and television drama, but also to the construction of the charisma of the literati. Without a normal aesthetic attitude, Chinese literati will not be able to get out of their narrow circle of self, nor will they make Chinese love films and films a glorification of the artistic charm of natural life.