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黄梅调电影是中国影史上极为独特的电影类型之一,其兴起于20世纪50年代,而凋敝于70年代末期。李翰祥是香港黄梅调电影的拓荒导路者,在香港黄梅调电影的末世尾声,他导演的《金玉良缘红楼梦》成为了香港黄梅调电影华丽落幕前的最后一抹辉煌,本文谨通过对黄梅调电影《金玉良缘红楼梦》的“唱段划分式”叙事的研究,总结出其以电影艺术语言保持基本情节的连贯性、以戏曲唱段突出特定情境的戏剧性的叙事艺术特征。
Huangmei tune the film is one of the most unique film genre in the history of Chinese film, the rise in the 1950s, and slumped in the late 70s. Li Han-hsiang is the pioneer of Huangmei tune film in Hong Kong. At the end of Huangmei tune film in Hong Kong, his “Jin Yu Lian Yuan Hong Lou Meng” has become the last glorification of Hong Kong Huangmei tune film gorgeous ending. In this paper, The research on the narration of “A Dream of Red Mansions” in Jin Yu Lian summarized the continuity of its basic plots in the cinematic language of the movie and the dramatic narrative artistic features of a particular episode in the drama aria.