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20世纪30年代,在中国文坛产生了两个以地域(更准确地说是城市)为中心的文学流派,即以北京、天津为中心的“京派文学”和以上海为中心的“海派文学”。文学批评家对两派文学也进行了对比,总结其各自的艺术特色和文学观,其中以徐懋庸最有代表性。徐懋庸在《“商业竞卖”与“名士才情”》中说:“文坛上倘真有‘海派’与‘京派’之别,那末我以为‘商业竞卖’是前者的特征,‘名士才情’却是后者的特征。”两派以各自的文学主张和文本实践在中
In the 1930s, two genres of literary schools centered on geography (more precisely, the city) emerged in the Chinese literary world, namely “Beijing School Literature” centered around Beijing and Tianjin, and “ Shanghai School Literature ”. Literary critics also contrast the literature of the two schools, summarizing their respective artistic features and literary concepts, of which XuMaoYong is the most representative. Xu Maoyong said in the commercial bidding and celebrity talent that the literary world really has the distinction between Shanghai School and Beijing School, and I think that the commercial auction is the characteristics of the former. Talent is the characteristic of the latter. "The two factions, in their respective literary propositions and textual practices,