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在日常的雕塑创作的过程中,作者会将自己的概念与思想融入到作品里面,从而使作品变得更加的生动和饱满。而在一件真正意义上的作品诞生之前,为了使之趋于完美则是需要作者不断地去修改与推敲的,这就要不断地否定一些不足与残缺的部分,同时在其原有的基础之上再加以更新,用更合适的想法与手法来弥补缺口,这是一个无限循环的过程,也是作者必须要经过与面对的一个重要的转折。否定不是随意的,它是一种作者对于自己的作品在创作手法以及思想领悟上持续升华的集中体现。正因为有否定的前提,才会使得作者的创造性思维得以扩散,再经过一系列加工整合后,这就最终将作品诠释的更加到位。
In the process of daily sculpture creation, the author will integrate his concepts and thoughts into the works so that the works become more vivid and full. Before the birth of a real work, in order to make it perfect, it is necessary for the author to constantly revise and refine it. This will continue to deny some deficiencies and incomplete parts. At the same time, It is an endless cycle and an important turning point that the author has to go through and face with. Negation is not arbitrary. It is a concentrated expression of the author’s continuous sublimation of his work in his creative way of thinking and ideological understanding. Because of the negative premise, it will make the author’s creative thinking to spread, and then after a series of processing integration, which will eventually interpret the work more in place.