任何一位改编者的心愿都是希冀通过自己再度艺术创造,把原作的精华以新的形式诉诸给更多的人,使之得到理解、传颂、振奋。看到西安话剧院根据同名小说《高山下的花环》改编的话剧,使人感到了这一点。幕闭之后,在久久的激动中,感到有一点不满足。这就是剧中主人公赵蒙生的转变还缺乏内在根据,应该补上这一笔。 The wish of any one of the editors is that they hope that through their own artistic creation again, the essence of the original will be appealed to more people in a new form so that they may be understood, conveyed, and encouraged. This was felt when I saw the drama drafted by the Xi’an Theater under the novel The Garland Under the Mountain. After the curtain closed, in a long time excited, feel a little unsatisfied. This is the lack of intrinsic basis for the transformation of Zhao Mengsheng, the hero of the play, which should be replaced.