西方近、现代设计思想的产生和发展是基于其物质和精神的坚实基础的,不免有自身缺陷。清末中国则在经济薄弱、价值观转换仓促之时被动接纳西方设计,对其“体用一致”关系的认识不足,导致了对西方封建末期的手工艺设计思想的一知半解以及对于现代设计思想的盲目取舍。民国时期的“现代化”努力,对中国设计有一定推进,但是距离全面、彻底的改革还很遥远,其本质仍然是改良性质的变革。 In the West, the emergence and development of modern design ideas are based on the solid foundation of their material and spiritual spirits, which inevitably have their own flaws. At the end of the Qing Dynasty in China, the Western design was passively accepted when the economy was weak and the values ​​were changed rapidly. The lack of understanding of the relationship between the two sides led to a poor understanding of the craft design ideas of the late Western Feudalism and blindness to the modern design philosophy Choose. The “modernization” efforts of the Republic of China made some progress in the design of China, but it is still a long way from a comprehensive and thorough reform. The essence of the reform is still an improvement in nature.