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本文从哲学的角度解读《文心雕龙·神思》篇,指出神思之“神”根源于天地自然之“道”。神思是对文学创作过程的描述,此过程主要包括“与道接通”、“感物生情”与“窥意取象”这三个方面。其中,“意象”的形成最为重要。诗人在构筑“意象”的过程中调动起来的是内时间意识,而不只是在物理的时间意识中活动,这是想象力的源头。诗人在这一过程中所取的“象”是介于有形、无形之间的特殊符号。这一特殊的创作方式可以概括为“非对象化运思”。
This article interprets the article “Wen Xin Diao Long · Shen Si” from the philosophical point of view, and points out that the “god” of the god is rooted in the “Tao” of heaven and earth. Spiritual thinking is the description of the process of literary creation. The process mainly includes three aspects: “getting in touch with the Tao ”, “feeling ” and “glimpsing the image ”. Among them, the formation of “image ” is the most important. The poet in the construction of “image ” in the process of mobilizing the awareness of the internal time, not just in the physical sense of time activities, which is the source of imagination. The “icon” taken by the poet in this process is a special symbol between tangible and intangible. This special way of creation can be summarized as “non-objectification ”.