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当代的歌曲创作不断地、多角度地向传统戏曲借鉴,出现了大量戏歌交融、戏歌合一的作品。这些作品具有新的审美内涵、新的审美价值和新的文化价值,形成一种独特的歌曲创作和演唱的流派。随着这种歌曲创作的不断成熟和发展,从不同的角度和不同的层面对它的评论分析也大量地见诸报刊网络,但遗憾的是,这些评论或评价大多仍停留在简单的议论层面,对于核心问题缺少较为深入、全面的分析,不能使人触摸到当代歌曲创作向传统戏曲借鉴这一现象所产生的文化价值及社会价值。鉴于此,本文从音乐美学和音乐社会学的视角对当代歌曲创作向传统戏曲借鉴所具有的理论意义和实践意义进行阐述,期望更多的人们能更为深刻地看到当代歌曲创作向传统戏曲借鉴所蕴涵的丰富的美学意义和传承民族文化的重要意义,以推动当代歌曲创作更加多姿多彩地发展。
Contemporary songwriting constantly, multi-angle to learn from the traditional drama, appeared a large number of opera song, song and song works. These works have a new aesthetic connotation, new aesthetic value and new cultural value, forming a unique genre of songwriting and singing. With the continuous maturity and development of this kind of song creation, there has also been a great deal of press review on various aspects of the criticism and analysis of the songs. Unfortunately, most of these reviews or evaluations still remain at the simple discussion level , The lack of a more in-depth and comprehensive analysis of the core issues can not make people feel the cultural value and social value derived from the phenomenon that contemporary songwriting borrows from traditional Chinese opera. In view of this, this article elaborates the theoretical and practical significance of the contemporary song creation to traditional Chinese opera from the perspective of musical aesthetics and music sociology. It is hoped that more people can see the contemporary song creation to the traditional opera more deeply Draw lessons from the rich aesthetics significance and inherit the significance of national culture, in order to promote the contemporary song creation more colorful development.