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我渐渐地意识到,自己所读到的图以及这些图片被转变成影像的过程,其实是一个被宏大景观绞杀亲历影像的存储记忆的过程,是一个扭曲自身视觉视线的被改造的过程。当此之时,我终于从《咔嚓》的影像中读到了一种扭转误读、批判媚俗的摄影的力量。
I came to realize that the pictures I read and how the pictures were transformed into images were in fact the memory of a mere sighting of a magnificent landscape, a process of transformation that distorted one’s own visual line of sight. At this moment, I finally read from the image of “Kacha” a force that reversed the misreading and criticizing kitsch photography.