论文部分内容阅读
从二十世纪八十年代中期到九十年代初新时期展览体制中,由中国书协主办的“中青展”及“全国展”构成展览体制的核心,成为书坛最具权威的两大展事。当代大多数中青年书法名家,无不是通过这两大权威展览而在书坛成名并确立其书法地位的。由此,这两大展览的审美取向和导向价值便对当代书法潮流产生极大影响。如“中青展”的民间书法取向和倡导便在二十世纪八十年代中后期至九十年代初中期产生很大影响,对当代中青年书法创作也发生了整体效应。从书史立场而言,“中青展”以其激进的创作审美取向和学术倡导,试图
From the middle of the 1980s to the exhibition system of the new era in the early nineties, the “Youth Exhibition” and “National Exhibition” sponsored by the Chinese Calligraphers formed the core of the exhibition system and became the most book fair The two authoritative exhibition. Most contemporary young calligraphers, not only through these two authoritative exhibitions in the book fame and establish its calligraphy status. As a result, the aesthetic orientation and guiding value of these two exhibitions have a tremendous impact on the contemporary calligraphy trend. Such as “Youth Show ” folk calligraphy orientation and advocacy in the mid-to-late of the 1980s to the early and mid-1990s have a great impact on contemporary Chinese calligraphy creation also took an overall effect. From the standpoint of the history of books, “Youth Exhibition ” with its radical creation of aesthetic orientation and academic advocacy, trying