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一般来说,新潮美术是特指“85时期”在中国所出现的一些艺术现象,但这里我更希望能把它拉长来看,即新潮美术不单单只属于某个特定历史时期,而是已经象征了一个艺术的时代,它也不仅只包涵了80年代中国的艺术特征,甚至也直接成就了中国90年代的艺术走势。因此,与其说新潮美术是一种艺术现象,不如说是一段文化历史。本文以新潮美术为题,挑选了其中一些较为关键性的人物进行描述,也是旨在能更为真实地接近那段历史,接近那段历史中鲜活的思想和生动的个人。至于冠以“批判”的名义,只是为了选择一个更加合适的角度进入而已,其中并不包涵对新潮美术和对参与者的价值判断。——题记
In general, trendy art refers specifically to some of the art phenomena that occurred in China during the “85th Period,” but here I prefer to lengthen it to see that trendy art does not belong to only a specific historical period, but rather It has symbolized an era of art. It not only covered the artistic features of China in the 1980s, but even directly contributed to the trend of art in China in the 90s. Therefore, the trendy art is not so much an art phenomenon, as it is a period of cultural history. In this essay, the author chooses some of the more crucial characters to describe the trendy art and aims to get closer to that period of history and get closer to the vivid thoughts and vivid individuals in that period of history. In the name of “criticism”, it is only for the purpose of choosing a more appropriate point of view, which does not include the value of the trendy art and the value of the participants. --Inscription