辩证唯物主义时空观认为,“时间和空间是运动着的物质的存在形式”。盆景艺术形象的存在,当然不能离开相对空间和时间。时间作为盆景的存在形式,指的是各个盆景有始有终的存在过程和整个盆景艺术的发生、发展历史。不同的历史时期,盆景艺术受当时社会生活(物质的和精神的)的影响,产生反映当时现实生活的作品。因此,一方面,在评价、鉴赏不同时期、不同风格流派的盆景作品时,一定不能脱离当时的历史条件;另一方面,盆景作者,应服从现实、服务现实,敏锐地从已经发展了的现实生活中提炼素材,创造源于生活、高于生活的作品,不断增强盆景艺术的活力。空间作为盆景的存在形式,指的是盆景的位置、体积和形状惟有通过空间才能得到体现。空间表现实体,实体决定空间,互为存在条件,不可分割。离开了空间,盆景的艺术形象,如动静、刚柔、露藏、虚实等,是无法表现出来的,所以,盆景作者在进行构图时,必须将盆景的实体部分和与实体相关的空 Dialectical materialist view of space and time is that “time and space are the existential forms of material movement.” The existence of bonsai art image certainly can not leave relative space and time. As an existing form of bonsai, time refers to the existence and development of the beginning and the end of each bonsai and the occurrence and development history of the whole bonsai art. Different historical periods, the art of bonsai was influenced by the social life at that time (material and spiritual) and produced works that reflected the real life at that time. Therefore, on the one hand, when evaluating and appreciating the bonsai works of different genres and genres of different genres, we must not deviate from the historical conditions at that time; on the other hand, the authors of bonsai should obey the reality and serve the reality, Refined material in life to create works from life, higher than life, and constantly enhance the vitality of bonsai art. The existence of space as a bonsai refers to the position, size and shape of the bonsai that can be represented only through the space. The entity that represents space, the entity determines space, and are mutually indivisible. Leave the space, bonsai art image, such as static and dynamic, rigid, exposed possession, actual situation, etc., can not be displayed, so the bonsai composition in the composition, the entity must be part of the bonsai and entity-related empty