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本文试以J.L.Austin的言语行为理论和J.R.Searle的间接言语行为理论为框架,分析《奥瑟罗》中的戏剧反讽艺术,以便使读者更好地了解剧中人物的意图、反讽目的及效果,并力图证明戏剧反讽与日常生活中的反讽言语行为一样,均可在言语行为理论框架中得到诠释,从而也进一步验证了言语行为理论应用于文学作品赏析的可行性,使我们对这一理论应用于具体文本分析的有效性有了更充分的认识。
This paper attempts to analyze the art of drama irony in Othello with the framework of JLAustin’s speech act theory and JRelear’s indirect speech act theory in order to make the reader better understand the intention, the purpose and the effect of the characters in the play, And tries to prove that drama irony is as same as the ironic speech acts in daily life, which can be interpreted in the frame of speech act theory, which further verifies the feasibility of the application of speech act theory in the appreciation of literary works, so that we can apply this theory A more complete understanding of the effectiveness of specific textual analysis.