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德国浪漫主义时期的作曲家灿若星辰。瓦格纳在19世纪下半叶给音乐界带来了巨大的影响,他一个人改变了歌剧的命运,虔诚的瓦格纳主义者相信他不仅是前所未有的最伟大的歌剧作曲家,同时也是最伟大的作曲家。对于那些崇尚旋律的人们,瓦格纳在他的歌剧中提供了“无止境的旋律”。在圆舞曲的王国中,海顿、莫扎特、贝多芬、舒伯特、柏辽兹这些天才只不过扮演了诸侯的角色,而国王是老约翰·施特劳斯之子小约翰·施特劳斯,“只要演奏一下《蓝色多瑙河》,用15分钟左右的时间就能淋漓尽致地表现出圆舞曲的全貌。它比任何作品都更雄辩、更精妙地在形式和精神上体现圆舞曲的精髓……”然而,他说:“我首先得归功于维也纳……我的全部力量根植于这片土地,我所聆听的悦耳乐曲回旋于它的空中,我的心陶醉了,于是写下了这些曲子。”勃拉姆斯是最后一位伟大的浪漫主义者,同时也是本质上的古典主义。“他是独一无二的,无论是他真正的交响乐的创造才能,他对复调、和声与配器法所有秘密的主宰力,还是与最美的自由狂想相结合的合理的乐曲……”——编者
The composers of the German Romantic period Canruo stars. Wagner had a huge influence on the music industry in the second half of the 19th century. He changed the fate of the opera alone. The devout Wagner believed he was not only the greatest composer of opera and the greatest composer ever. Family. For those who admire the melody, Wagner offers “Endless Melody ” in his operas. In the waltz kingdom, Haydn, Mozart, Beethoven, Schubert, Berlioz these geniuses just played the role of princes, and the king is the son of the old John Strauss Johann Strauss, “Just playing the” Blue Danube “can vividly show the whole Waltz in about 15 minutes and is more eloquent than any other work, exquisitely embodying the essence of Waltz in form and spirit ...” However, he said: “I first owe it to Vienna ... All my strength is rooted in this land. The melody of the music I am listening to is swirling in the air. My heart is intoxicated. I wrote these songs.” “Brahms is the last great romantic, but also the essence of classicism. ”He is unique, both his true symphony's creative talents, his secret dominance of polyphony, harmony and distributive law, or his rational music combined with the most beautiful freedom fantasy ... " - -editor