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二胡的把位技术在二胡演奏技术中有着举足轻重的地位,在不断发展的过程中逐渐形成了两种主要形式,即传统把位与现代把位。这两种把位都有不同的技术应用,每种把位的技术演奏都丰富了二胡的演奏技术。本文主要论述传统把位与现代把位的技术理论结合实际应用于音乐作品中。试图通过对二胡把位技术的研究,一方面对二胡演奏技术与音乐创作之间的内在联系进行进一步的研究;另一方面,在当代音乐创作技术的不断创新条件下,两种把位技术在实际音乐作品中体现出的旋律特征,以及两种把位技术的运用对于二胡演奏技术的积极影响等问题进行一定程度的分析。
The erhu technique has played a decisive role in erhu playing technique, and gradually formed two main forms in the process of continuous development, namely, the traditional position and the modern one. Both of these positions have different technical applications, each of which put a bit of technical performance are rich erhu playing skills. This article mainly discusses the practical application of the technical theory of the traditional position and the modern position in musical works. At the same time, it tries to make a further study on the inner connection between Erhu playing technique and music creation through the research on erhu technique. On the other hand, under the condition of continuous innovation of contemporary music creation technique, The melodic features embodied in the actual musical compositions and the positive effects of the two techniques of using bits on erhu playing techniques are analyzed to some extent.