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在20世纪的中国画坛上,出现了一些精研画史画论的学者型画家,他们既在中西文化交流激荡的历史条件下,以新的观念新的方法阐发传统,别有所见;又在古今因革承变的过程中,以真知指导创作,独树一帜。傅抱石便是这类画家中的突出代表之一,尽管他终以杰出绘画大家的身份载入史册,但四五十年代却一直身兼两任,在积极创作的同时,主讲学校的中国美术史。大约在50年代末,傅先生终于把教授美术史之责交给一位胜任愉快的学生,自己全力投入到才思纵横的创作中。这位学生虽不像傅抱石那样著作等身,却一样是位博闻深思的学者型画家。当他也把讲授美
In the 20th century Chinese painting society, there appeared some scholar-type painters who studied painting history and painting theory. They not only saw the tradition with new concepts and new methods under the historical conditions of Sino-Western cultural exchange and turmoil, In ancient and modern because of change in the process of change, guided by the true knowledge, unique. Fu Baoshi was one of the outstanding representatives of such painters. Although he eventually recorded the history as an outstanding painter, he has been in the 1940s and 1950s. In the mean time, he actively taught in the school of Chinese art history. Around the late fifties, Mr. Fu finally handed over the responsibility of teaching art history to a competent and happy student, devoting himself fully to the creative thinking. Although not a student like Fu Baoshi, the student is equally a scholar of painterly scholarship. When he also taught beauty