论文部分内容阅读
无论是在东方还是在西方,诗歌作为最古老的文学形式,散发着独特的艺术魅力。它的语言形式独特,音韵优美,结构张扬,文化内涵丰富,被托马斯·纳什称之为“百花之蜜,一切学问的精髓,智慧的本质,天使的词语”。对于诗歌的研究,历来层出不穷,可谓百家争鸣,百花齐放。意象作为构成诗歌的一个重要元素,在诗歌的解读中占有举足轻重的位置。它不但是诗歌图像释放的载体,同时也是诗人内心世界情感碰撞和体验的表征,这对于解读诗歌语篇中出现的隐性连贯具有重要意义。
Whether in the East or the West, poetry, as the oldest literary form, exudes a unique artistic charm. It is a unique language, beautiful sound, the structure of publicity, rich cultural connotations, by Thomas Nash called “honey of flowers, all the essence of learning, the essence of wisdom, angel ”. For the study of poetry, has always been an endless stream, can be described as a hundred schools of thought, flowers bloom. As an important element in forming poetry, image occupies a pivotal position in the interpretation of poetry. It is not only a carrier of the release of poetry images but also a symbol of the emotional collision and experience of the poet’s inner world, which is of great significance for the interpretation of the hidden coherence in the poetic discourse.