本文旨在研究使用叙述策略解释韩国作家殷熙耕和中国作家曹文轩的成长小说。成长小说是讲述任务成长过程的小说,是描写主人公在其所处时代的文化和人文环境中从幼年期迈向青年期的自我发现和精神方面不断成长的过程的小说类型。两位作者的成长小说的区别如下:首先,曹文轩是以当时的社会和政治背景下以事件为主进行叙述的,而殷熙耕更重视以成长主体的心理变化和发展过程为基础进行的叙述。曹文轩具有以讲述为主的现实主义倾向,而殷熙耕具有以展示为主的现代主义倾向。其次,叙述者的位相是构成成长小说叙述策略的重要部分。掌握成长全过程的叙述者的视线会在运用“叙述性过去”的过程中,在小说文本和读者之间的相互作用方面占据绝对位置。再次,《辞格》中所说的“距离”适用于成长小说中的“叙述者—主人公”之间。以心理描写为主进行叙述的殷熙耕成长小说的“距离”较近,借用客观叙述策略的曹文轩小说的“距离”较远。 This article aims to study the use of narrative strategies to explain the growing novel by Korean writer Yin Xigong and Chinese writer Cao Wenxuan. The development of novels is a novel about the process of mission growth. It is a type of novels that describes the protagonist’s process of self-discovery and spiritual growth from childhood to adolescence in the cultural and humanistic environment of his time. The differences between the two authors’ novels are as follows: Firstly, Cao Wenxuan narrated mainly the events under the current social and political background, while Yin Xigong paid more attention to the narration based on the psychological changes and development of the main body of growth. Cao Wenxuan has the tendencies of realism based on narration, while Yin Xigong has the tendency of modernism mainly based on exhibitions. Second, the narrator’s phase constitutes an important part of the narrative strategy of growing up novels. The narrator who mastered the whole process of growing up will occupy an absolute position in the interaction between novel text and reader in the process of using “narrative past”. Thirdly, “distance” in “figure of speech” is applied to the “narrator-protagonist” in the novel of growth. The “Distance” of Yin Xigong ’s novels, which is narrated mainly by psychological description, is far away from Cao Wenxuan’ s novel borrowing objective narrative strategies.