毫无疑问,“礼乐”文明的中华文明的代称,“礼”与“乐”向来是历代学者最为重视的内容。但在晚明,“乐”尤其是彰显古风正统的雅乐,不可避免地面临着萎缩。古乐逐渐失传,俗乐侵入宫廷,诗与歌基本分裂,学者对“乐”也非皆能。这一切均是以治乐为格物、职志于恢复乐教的晚明学者所必须面对的历史性课题。 There is no doubt that “ritual ” and “music ” has always been the most important content of scholars in all ages. However, in the late Ming dynasty, “Le ” especially to demonstrate the ancient style of elegant music, inevitably facing atrophy. Ancient music gradually lost pass, folk music invaded the court, poetry and song basically split, scholars “music ” nor is it possible. All of this is a historic issue that must be faced by scholars of the late Ming dynasty, who take the rule of music as their object and who are dedicated to the restoration of music education.