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有关艺术史的讨论在当代艺术美术馆的语境中也具有当下和未来的意义。当代艺术美术馆展示的不仅仅是当下的艺术,它一再地向人们灌输我们在艺术史中获得的观念。今天,这种方式恰恰受到了质疑,以当代艺术为对象展示艺术史是否合理和适合当下状况值得重新讨论。今天通行的艺术观念与以往相比大为不同,它提出这样一个问题在美术馆中毫不费力得到展示的艺术史观念是否还具有统一一切的能力。当作品无法证明艺术史的发展进程和艺术本身的状态时,仅仅展示作品是不够的。我们仍然固系于一种越来越难以理解的艺术之意义上,只能在这种艺术迄今为止的历史中辨识它,无论人们怎样对历史进行想象。有关艺术家和艺术行家如何认识自身的讨论在美术馆中进行,而作为机构的美术馆本身今天也陷入到意见之争中。公众给予美术馆压力,要求在美术馆中看到书籍中无法解释的一切,这样说来,
Discussions about art history also have current and future significance in the context of contemporary art galleries. Contemporary art galleries exhibit more than just contemporary art, and it repeatedly instills in people the ideas we gain in art history. Today, this method has been questioned precisely, and it is worth discussing again whether the present history of art is the right choice for contemporary art. The concept of art prevailing today is vastly different from what it used to be and it raises the question of whether or not the concept of art history demonstrated without difficulty in art galleries is also capable of unifying everything. When the work fails to prove the development of art history and the state of art itself, it is not enough merely to display the work. We are still anchored in an increasingly obscure art that can only be identified in the history of the art so far, no matter how people imagine history. Discussions about how artists and art experts know themselves are held in art galleries, and art galleries that are institutions themselves fall into the controversy of opinion today. The public pressured the art museum to demand that all the unexplained books in the art gallery be seen. In this way,