不必再费口舌称赞影片《鸟人》的成功,金狮、金球、金像等大奖的滚滚而来,足以扫除一切辩难的无稽之谈。早在新世纪初,冈萨雷斯就以《爱情是狗娘》在影坛崭露头角,也以此组建了他的制作班底。在改编《鸟人》剧本时,冈萨雷斯吸收了雷蒙德·卡佛《当我们谈论爱情时,我们在谈论什么》中的诸多情节,使这部影片不免蒙上卡佛固有的存在主义色彩,这是文章从存在主义角度分析《鸟人》的可靠依据。影片讲述一个明日黄花型的演员,希望通过一部有意 Do not have to waste money to praise the success of the film “Bird Man”, Golden Lion, Golden Globe, Golden Elephant and other awards rolling over, enough to clean up all the ridiculous nonsense. As early as the beginning of the new century, Gonzalez came to the scene with “love is a bitch” and formed his production team. Gonzalez recruited Raymond Carver’s many episodes of “What We’re Talking About When We Talk About Love,” making the film irrelevant to Carver’s inherent existence The color of the doctrine is the reliable basis for the article to analyze the “bird man” from existentialism. The film tells a bright yellow type of actor, hoping to pass a deliberate