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清末金石学兴益,书家对于出土文物非常关注。沈曾植以其深厚的书学学养、敏锐的艺术嗅觉锁定了《流沙坠简》,并以其为切入点疏通书学中“古今”“南北”等问题。同时他叉以强烈的主体意识、清晰的“取用”思路在人生最后十多年中有意识地进行书法艺术性探索,最终成为二十世纪书坛的一座高峰。
The late Qing Dynasty petrology interest, calligraphers for the unearthed cultural relics are very concerned. Shen Zengzhi locked his “quicksand and janitor” by his deep study of learning and keen art sense of smell, and used it as an entry point to clear the issues such as “ancient and modern”, “north and south” in book study. At the same time, he has consciously carried out the exploration of calligraphy art in the last ten years of his life with a strong sense of subject and a clear idea of “taking advantage of”, eventually becoming a peak in the twentieth century.