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维吾尔木卡姆艺术是广泛流传于新疆各维吾尔族聚居区的集歌、舞、乐于一体的大型古典综合艺术形式。据了解,维吾尔木卡姆研究始于20世纪50年代,然而就维吾尔木卡姆的历史研究来看,音乐学家多是从文献中来寻找证据,颇少从“口述史”的角度来求证,且体现出“重古代史,轻现当代史”的特点。我们认为,根据维吾尔木卡姆在历史中的存在形态,采用“口述史”的理论和方法对其发展历史进行研究应不失为一个有效的维度。
Uygur Muqam art is a large-scale classical comprehensive art form that integrates song, dance and pleasure in Xinjiang Uyghur agglomeration. It is understood that the study of Uygur Muqam began in the 1950s. However, on the basis of the historical study of Muqam in Uyghur, musicologists mostly look for evidence from the literature and rarely from the perspective of oral histories To prove, and reflects “heavy ancient history, light modern history ” characteristics. According to the existing form of Uygur Muqam in history, we think it is an effective dimension to study its development history by using the theory and method of oral history.