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评说朱乃正的艺事有一种难处。难就难在他才气纵横,变化的态势不好被把握。我原来已经勉力作文,试图触摸到他的脉搏。不料这次“朱乃正60小书画展”又亮出变相,于是再度令我愕然了。 艺术最忌停滞与雷同——雷同也是一种停滞。这道理很简单,因为作为审美之源的实践,即生活之树及其作用于人的精神,都是常青的。艺术需要展开广阔的天地,需要艺术家各自袒露自己带有必然的
Commentary Zhu Naizheng’s art has a difficulty. Difficult difficult in his talent, changing the situation is not good to be sure. I had tried my best to make essays and tried to touch his pulse. Unexpectedly, this “Zhu Naizheng 60 small painting exhibition” and showing up in disguise, so once again made me stunned. Art most avoid stagnation and the same - the same is a kind of stagnation. This is simple because the practice as the source of aesthetics, the tree of life, and its role in the human spirit are evergreen. Art needs a vast expanse of heaven and earth, requiring artists to reveal themselves with the necessary