论文部分内容阅读
近些年,国内家庭伦理题材电影频频现身荧屏,影片在再现现代人的生活、家庭关系及情感问题的同时,也拟态建构了家庭伦理道德镜像,影响着人们的情感价值观和家庭观念。文章采用叙事学研究,从叙事内容、叙事时空、叙事结构三方面剖析当下家庭伦理题材电影对婚恋观的建构,研究发现家庭伦理电影虽然在第三者形象的塑造方面符合传统道德谴责的特质,但叙事者角色发生重大转变,男主人公与第三者成为主要的叙述者,影片已经打破传统“家”的统一观念。
In recent years, films of domestic family ethics have appeared on screens frequently. While reproducing the modern life, family relationships and emotional issues, the film also mimics the construction of a family ethics mirror, affecting people’s emotional values and family values. The article uses the research of narratology to analyze the construction of the concept of love affair in current family ethics movies from the narrative content, narrative time space and narrative structure. The research finds that although the family ethics film conforms to the trait of traditional moral condemnation in shaping the image of the third party, However, the role of the narrator has undergone a major change, with the hero and the third party becoming the main narrators. The film has broken the traditional “home” concept of unity.