中国考古目前正在步入一个迅速发展的“黄金时期”。改革开放以来,各地公路、铁路、水利工程等大规模基础建设高潮迭起,地下文物不断涌现,可供研究的考古材料迅速扩充,考古学科体系日渐成熟完善,各地的考古队伍不断壮大。然而,这种繁荣多少有点孤芳自赏的韵味,考古人始终是寂寞的。当我们捧着一块残陶破瓦无比兴奋地观察时,一旁帮着干活的当地农民却投来不解的目光。而担负着抢救文化遗产、发现过去、证经补史的中国考古学,更一度被公众误解为挖坟掘墓的行当。近年来,各大传统媒体与网络等新兴媒体轮番上阵,在《探索·发现》、《鉴宝》、《盗墓笔记》等刺激之下,公众对于文物的好奇不再局限于静态的历史信息与艺术价值,更加关注其发现过程中的神秘与曲折。而另一方面,考 Chinese archeology is currently entering a rapidly developing “golden age.” Since the reform and opening up, the large-scale infrastructures such as highways, railways and water conservancy projects all over the country have been crowded with climaxes. Underground relics have emerged continuously. Archaeological materials for research have rapidly expanded. The archeology system has gradually matured and archaeological teams have grown in size. However, this kind of prosperity is somewhat of a solitude, and archeologists are always lonely. When we were holding a piece of pottery watt extremely excited to observe, the side of the local farmers helped to cast their eyes puzzled. The Chinese archeology, which was responsible for the rescue of cultural heritage and the discovery of the past and proof of history, was once again misunderstood by the public as a grave-digging grave. In recent years, the emerging media such as major traditional media and networks took turns. Under the stimulation of “exploration and discovery”, “Kam Po” and “Tomb Notes”, the public’s curiosity about cultural relics is no longer confined to static historical information and Artistic value, pay more attention to the mystery and twists and turns in the process of its discovery. On the other hand, test