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这是一段横亘千年的传说。当传说被重新赋予现实意义,则始于60年前的一段传奇和34年前的一种坚持。“绣”里乾坤在中国,刺绣的历史同国画一样源远流长。从舜命禹做五彩绣,到西周素衣朱绣,再到汉晋佛像观赏型刺绣,盛唐刺绣则定型为生活用品和观赏性艺术品两大类,并堂堂步入了宫廷之中。另一个很有趣的现象是,唐宋以降,尤其是宋徽宗、宋高宗对书画艺术的追求与推崇,画家的
This is a period of thousands of legends. When the legend is reinvented, it begins with a legend 60 years ago and a persistence 34 years ago. “Embroidery ” in the universe in China, the history of embroidery with the ancient painting has a long history. From Shun Yu Ming colorful embroidery to the Western Zhou Su Yi Zhu embroidery, and then to the Han and Jin Dynasties Buddhist ornamental embroidery, Tang embroidery is stereotyped as two kinds of daily necessities and ornamental art, and dignified into the court. Another very interesting phenomenon is that the Tang and Song dynasties dropped, especially the Song Huizong and Song Gaozong’s pursuit and respected art of calligraphy and painting. The artist’s