编者按自上世纪80年代以来,“重写文学史”的呼吁和实践,构成了中国现当代文学研究的核心推动力。“现代性”、“启蒙”、“民间”、“悖论与补偿”、“民国机制”等文学史观,对于还原、整合近百年文学的历史风貌和精神演进,各有其独特的贡献。不过,百年文学史的整合,必须处理承续与断裂、现代与传统、本土与海外、大陆与港澳台的关系,这是既有文学史观和文学史书写所遭遇的难题。“半殖民与解殖民”的文学观念,为重新解读近百年文学提供了新的思路,其理论的历史感、包 Editor’s Note Since the 1980s, the appeal and practice of “rewriting literary history” have formed the core driving force for the study of Chinese modern and contemporary literature. “Modernity ”, “Enlightenment ”, “Folk ”, “Paradox and Compensation ”, “Republican Mechanism ” and other literary history view, to restore and integrate the historical features of nearly a century of literature and Spiritual evolution, each with its unique contribution. However, the integration of a hundred years of literary history must deal with the relationship between continuity and fragmentation, modernity and tradition, the homeland and overseas, the mainland and Hong Kong, Maucao and Taiwan. This is a difficult problem encountered in both the historical and historical literary history writing. “Semi-colonial and colonial reconciliation colonial ” literary concept, provided a new way for the re-interpretation of nearly a century of literature, the historical sense of the theory, including the package