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抗战时期张恨水的创作品格表现出由俗趋雅的走向,主要体现在以下几个方面:首先,体现在其作品内质由“平民意识”向“民族意识”的转变。第二,在抗战主导文化的影响下,张恨水积极回应时代的姿态,表现出自我的文化选择与主导文化叠合的特点,这一叠合的过程是在不断的自我调整中完成的。在他创作思想的演进过程中,小说《太平花》的创作和修改是值得特别注意的。此外,张恨水小说“侠义观”的嬗变可以从《剑胆琴心》到《啼笑因缘续集》创作历程中找到明显的轨迹。
During the war of resistance against Japan, Zhang Henshui’s writing style showed a tendency of vulgarity and elegance, mainly reflected in the following aspects: Firstly, it is reflected in the transformation of his works from “civilian consciousness” to “national consciousness”. Second, under the influence of the dominant culture of anti-Japanese war, Zhang Henshui actively responded to the attitude of the times and showed the characteristics of his own cultural choice and dominant culture. This overlapping process was accomplished through constant self-adjustment. In the evolution of his creative thinking, the creation and modification of the novel “Tai Ping Hua” deserves special attention. In addition, the transmutation of Zhang Hen-hai’s novel “Chivalry ” can find a clear trajectory in the creative process of “Sword and the Eternal Heart” to “Seductive Romance”.